Towards a stemma of the MS sources of Dvořák’s Mass in D /
Drawing on the corpus of familiar available sources, but also on a copy of a particular version of the mass with added parts for cello and bass, the author demonstrates how Dvořák in his correction of a copyist’s errors did not return to the original autograph but came up with new alternative soluti...
| Hlavní autor: |
Utidjian, Haig, 1966-
(
Autor )
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|---|---|
| Typ dokumentu: | Článek |
| Jazyk: |
angličtina |
| Zdroj: | Journal of Czech and Slovak Music: Volume 26 (2017), s. 7-18. |
| Předmět: |