Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich’s Symphony No. 8 /
This article is an attempt to apply several fundamental phenomenological concepts regarding the perception of sound, and music in particular, to the analysis of a concrete musical composition, the Passacaglia of Dmitriy Shostakovich’s Symphony No. 8. We aim at exploring the underlying compositional...
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| Typ dokumentu: | Článek |
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čeština angličtina |
| ISSN: | 1212-0391 |
| Zdroj: | Musicologica Brunensia: Roč. 52, č. 2 (2017), s. 95-108. |
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