| Abstrakt: |
This article investigates the notion of provenance, questioning traditional conceptions of the archival fonds that link this collective to limited relationships, including that of the individual, family, or organization. Drawing from work that embraces the notion of expanded views of provenance, the paper explores the theoretical and practical implications of tying the contextual boundaries of the archive to functions and activities connected to and serving as evidence of domestic spatial configurations and relationships. In doing so, the article adds to a body of work that queries key concepts used as part of systems of archival control, highlighting new conceptual and theoretical interpretations that bring dynamism, creativity, and flexibility to archival operations as they exist in analog and digital spaces. [ABSTRACT FROM AUTHOR] |
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