| Abstrakt: |
Unedited and raw time-based media—dailies, rushes, scratches, original or source footage, B-roll, and more—go by different names depending on the context of creation. This article examines the collecting, preservation, and access practices of raw, unedited, and auxiliary media through the lens of initial findings of a scoping review underway by the authors. Exploring the literature and incorporating post-custodial and media archeology frameworks expanded the authors' research design to embrace the potential of access, reuse, and reactivation of materials as means of remediation. This paper discusses the potential raw, unedited, and auxiliary media pose for galleries, libraries, archives, and museums, as well as broader communities, and it encourages readers to embrace relationships with raw and unedited media, reuse, and resistance by way of community and artistic intervention. [This article is an expansion of a presentation given at the International Association of Sound and Audiovisual Archives (IASA) conference, held virtually in September 2021.] [ABSTRACT FROM AUTHOR] |
