Diskursi o rodu u umetnosti: konstrukcija profesionalnog identiteta umetnica u oblasti novih medija u Vojvodini krajem 20. i početkom 21. veka

Autor: Sanja Kojić Mladenov
Jazyk: srbština
Rok vydání: 2018
Předmět:
Druh dokumentu: Diplomová práce
Popis: Cilj istraživanja je konstrukcija profesionalnogidentiteta vizuelnih umetnica koje stvaraju uVojvodini krajem 20. i početkom 21. veka,analiza njihovog umetničkog rada i života,ukazivanje na mogućnosti njihovog povoljnijegpoložaja.Hipoteza 1: Nedovoljna je valorizacijavizuelnih umetnica Vojvodine, naročito onihkoje se bave novim tehnologijama.Hipoteza 2: Nevidljiv je njihov doprinosznačaju za razvoj aktuelne umetničke prakse i usistemu visokog obrazovanja.Hipoteza 3: Značaj umetničkog rada ovihvizuelnih umetnica ne prepoznaju masovnimediji, što još više doprinosi njihovojnevidljivosti u javnosti.U istraživanju su primenjene analize:svedočenja (intervjui) umetnica; analizetekstova o umetnicama, analize umetničkihradova umetnica.Osnovni korpus istraživanja čine razgovoriautorke sa umetnicama, ukupno 12 umetnicavezane za Vojvodinu, tekstovi o njima i njihoviumetnički radovi.Rezultati istraživanja su pokazali da jeumetnicama profesionalni identitetnajistaknutiji, ostalim pristupaju kaopromenljivim kategorijama; da pridaju važnostprenošenju znanja i formiranju novih kadrova,te uvođenju ženskog identiteta u umetnost;ističu da im nedostaje finansijska sigurnost uprofesiji, te da rešenje vide u udruživanju iizgradnji mreže saradnica (međugeneracijskih,umetničkih, interdisciplinarnih, lokalnih,regionalnih i internacionalnih).Zaključujem da je istraživanje ukazalo da suumetnice koje se bave novim medijima uVojvodini delimično valorizovane. O njima jepisan veći broj tekstova, ali su oni rasutu porazličitim izvorima, na mnogim jezicima imestima (lokalno, regionalno, internacionalno).Politika institucija kulture im nije posvetiladovoljno pažnje kada su u pitanju monografskepublikacije i retrospektivne izložbe, otkupiumetničkih radova i sl. Njihov doprinos nijedovoljno vidljiv u sistemu visokog obrazovanja,a značaj njihovog umetničkog rada neprepoznaju dovoljno mas-mediji.Istraživanjem su prvi put umetnice koje se bavenovim medijima u Vojvodini krajem 20. ipočetkom 21. veka okupljene u jednu celinu.Izneti podaci o njihovoj generacijskoj,medijskoj, umetničkoj i drugoj povezanostipredstavljaju samo početak budućih istraživanjau okviru istorije i teorije umetnosti. Za njih jeizgrađivanje profesionalnog identiteta kaobogatstva različitosti najvažnije, ali je onuklopljen u mnogostruke ženske mreže ipovezanosti jer je to jedan od načina njegovograzvoja i opstanka.Ukupni podaci o različitim aspektima identitetaumetnica novih medija mogu doprineti opštojdiskusiji o prirodi identiteta.Preporuka je da se uspostavi sistem čuvanja nesamo radova, već arhiviranja dokumentacije oumetnicama novih medija budući da su podacirasuti po različitim izvorima i privatnimkolekcijama, slabo dostupni javnosti; da se ugalerijama i muzejima koji nemaju posebnoizdvojena sredstva za mlade umetnike/ce, zaprodukciju umetničkih radova i sl. uvede sličnapraksa; takođe nedovoljno kritičara i kritičarkikoji prate nove medije predstavlja problem kojitreba rešavati.Iz svega izloženog pokazali smo da je reč oumetničkim izrazima i umetničkim praksamakoje osvajaju prostor i otuda je prvi važanrezultat analize u ovom radu to što su najednom mestu pokazane različite prakse i totako da se sučeljavaju ocene o njihovom radu sasvedočenjem samih umetnica o sopstvenimradovima i dilemama. 
The aim of the research is the construction ofthe professional identity of female visual artistswho are creating in Vojvodina in the late 20thand early 21st century, an analysis of theirartistic work and life, pointing to thepossibilities of their favorable position.Hypothesis 1: Valorization of female visualartists of Vojvodina is insufficient, especiallythose dealing with new technologies.Hypothesis 2: Their contribution for thedevelopment of current art practice and in thehigher education system is invisible.Hypothesis 3: The importance of the artisticwork of these female visual artists is notrecognized by the mass media, which furthercontributes to their invisibility in the public.The research involved these analyzes: femaleartists testimonies (interviews); analysis of textsabout female artists, analyzes of art works byfemale artists.The main research corpus is the interviews ofthe author with female artists, a total of 12female artists related to Vojvodina, texts aboutthem and their art works.The results of the research have shown that forthe female artists the professional identity is themost prominent identity, to other identities theyapproach as to variable categories; they giveimportance to the transfer of knowledge, to theformation of new personnel and to theintroduction of women's identity in art;emphasize that they lack financial confidence inthe profession and that they see the solution inthe merging and building of a network ofcollaborators (intergenerational, artistic,interdisciplinary, local, regional andinternational).I conclude that the research indicated thatfemale artists dealing with new media inVojvodina are partially valorized. A number oftexts are written about them, but they are spreadacross different sources, in many languages andplaces (locally, regionally, internationally). Thepolitics of the cultural institutions did not givethem enough attention when it comes tomonographic publications and retrospectiveexhibitions, the purchase of art works, etc. Theircontribution is not sufficiently visible in thehigher education system and the importance oftheir artistic work is not sufficiently recognizedby mass media.This research is the first time that female artistswho are engaged in new media art in Vojvodinain the late 20th and early 21st century have beenintegrated into one whole. The presented dataon their generational, media, artistic and otherconnections are only the beginning of futureresearch within the history and theory of art.For them, building the professional identity asthe wealth of diversity is the most important,but it is integrated into multiple women'snetworks and connections because it is one ofthe ways of its development and survival.The overall data on different aspects of theidentity of female new media artists cancontribute to a general discussion of the natureof identity.It is recommended to establish a system forstoring not only works, but also archivingdocumentation about female new media artists,since the data that is scattered across differentsources and private collections is not readilyavailable to the public; that in galleries andmuseums that do not have special fundsallocated for young artists/female artists, for theproduction of works of art, etc., introducesimilar practices; also insufficient critics andfemale critics who follow new media art is aproblem that needs to be addressed.From all of the exhibited we have shown that itis about artistic expressions and artisticpractices that conquer space and hence the firstimportant result of the analysis in this paper isthat different practices have been shown in oneplace, so that the evaluation of their work isconfronted with the testimony of the femaleartists themselves about their own works anddilemmas. 
Databáze: Networked Digital Library of Theses & Dissertations
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