Popis: |
This thesis analyses several plays of postmodern Czech naturalistic rural drama. By using comprehensive analysis and numerous examples, the work deals with the key question why traditional realistic dramas based on the mimetic principles are so attractive for the nonconformist and provocative authors, generally known as postmodernists.The work introduces the term postmodernism as a new philosophical way of seeing Euro-American civilization but also as an artistic style, which gives these thoughts an aesthetical basis in the context of Czech and also world history and culture. To get the essential knowledge of the topic, the main principles of realistic and naturalistic poetics are introduced. The work is trying to find an answer to the question ask above by analysing seven plays of postmodern Czech naturalistic rural drama. The analysis is based on experience of spectators and readers and also numerous examples from postmodern literature, film, fine art and music. The key factor of this analysis is the conflict of archetypal human essence and today often discussed absence of transpersonal order, which affects humans even against their will. The interpreted texts work with the topics of human struggle with love, faith, responsibility and compassion, which seem to be very attractive for the postmodern artists. These kinds of texts can give us an evidence of the epoch we live in. Whether the personal freedom ruined human faith in some greater sense or the sexual revolution actually buried the metaphysical essence of love. As an author, I came to the conclusion, that discussed plays demonstrates a postmodern human as a schizophrenic being, denying under the influence of general moral status existence of universally valid order, in spite of seeking this order in its soul desperately. Introducing my own concept of “the great second”, I try to defend my conviction, that in this exhausting struggle, the art can be for human desired, purifying and fulfilling power |