From chromaticism to pentatonism: a convergence of ideology and practice in Qin music of the Ming and Qing dynasties.
| Jazyk: | Chinese<br />English |
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| Rok vydání: | 2009 |
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| Druh dokumentu: | Bibliografie |
| Popis: | Tse, Chun Yan Victor. Thesis (Ph.D.)--Chinese University of Hong Kong, 2009. Includes bibliographical references (leaves 204-226). Photocopy. Ann Arbor, Mich. : ProQuest LLC, 2011. xi, 226 p. : music ; 29 cm. also in Chinese; includes Chinese characters. p.i in Chinese --- p.iii Acknowledgments --- p.iv List of tables --- p.viii List of graphs --- p.ix List of appendices at the end of individual chapters --- p.ix List of abbreviations of qin handbooks --- p.X Chapter Chapter 1 --- Background of the research --- p.1 Chapter Chapter 2 --- Overview of the research methodology --- p.23 Chapter Chapter 3 --- An illustrated methodology in reconstructing qin music from past scores guyuan 古怨 of the Southern Song Dynasty --- p.36 Chapter Chapter 4 --- Chromaticism in Ming Dynasty scores -baixue 白雪 in Shenqi mipu 神奇秘譜 --- p.67 Chapter Chapter 5 --- From chromaticism to pentatonism - baixue 白雪 in other Ming and Qing Dynasty handbooks --- p.91 Chapter Chapter 6 --- Non-circle-of-fifths intonations in Qing Dynasty scores --- p.119 Chapter Chapter 7 --- Varying 4th and 7th degrees - dongting qiusi 洞庭秋思 in Ming and Qing Dynasty handbooks --- p.143 Chapter Chapter 8 --- Convergence of ideology and practice --- p.168 Chapter Chapter 9 --- Conclusion ´ؤ looking back and looking forward --- p.199 References --- p.204 |
| Databáze: | Networked Digital Library of Theses & Dissertations |
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