| Popis: |
This thesis inhabits the space between the art of poetry and the conditions of faith. Its concern is threefold: women, Church, poetics. It undertakes a journey from institutional Church into more radical and textual spaces, beginning with an examination of the state of the Roman Catholic Church today as revealed in Tina Beattie’s critique of Hans Urs von Balthasar, whose disturbing theology has contributed to a misogyny she argues has poisoned the body of the Church. Beattie’s critique is a point of departure into a potentially transformative poetics that she hints at but never fully pursues. I attempt to articulate such a poetics through multiple, spiraling approaches that are interdisciplinary, invitatory, performative and creative. In my reading and writing practices, I seek to trace the contours of this poetics through the delineation of a series of alternative poetic ‘ecclesiological’ spaces. These spaces will be shaped mainly by engaging the work of five poet/thinkers, a seemingly disparate group of authors, who, whether strictly poets or not, exhibit qualities of ‘poetic being’: Ignatius of Loyola, Gaston Bachelard, Yves Bonnefoy, Dennis Potter, and Hélène Cixous. The latter will further assist me in defining this poetic geography through her philosophical and fictive investigations of the interrelationships of gender, writing and spirituality. The readings I undertake are relational, conversations in which reading is a careful listening to texts and writing becomes an organic outcome of that listening. I ask essentially what happens when we, man/woman, stand in the clearing with Heidegger to share his wonder at being? With the help of my poet-companions, I respond that we are transformed after a full engagement of poetic thinking itself. I conclude that we are brought by this engagement to a sacred space of poetic dwelling. |
