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This master´s thesis studies the discourse surrounding research data and open access within the artistic research field in Sweden. Its purpose is to explain how librarians better can support artistic researchers in research data management. The study was conducted by nine qualitative interviews, four with artistic researchers and five with academic librarians, to further investigate the differences and similarities between the two workgroups approach to research data and open access. The paper uses a theoretical framework of poststructuralist discourse analysis, inspired by discourse researcher Johannes Angermüller, to uncover structures and meanings connecting research data and open access amongst the two occupations. The thesis also uses Jacques Derrida´s concept of deconstruction, as inspiration to further analyze the collected material. The interview material was transcribed, coded and presented in three chapters. The first part investigates the subject of research data and management, the second part presents the data collected when investigating the topic of open science. The final chapter of the analysis discusses the interactions between the two groups. The results show that the concept of research data and open access remains a difficult and complex question within artistic research, where the discourse surrounding it is made up by multifaceted voices. The paper concludes that the field would benefit from a further collaboration between researchers and librarians in understanding and handling questions surrounding open access and research data. The data further suggests that more established guidelines and principles for data publishing within the artistic research field would further help librarians and researchers when communicating with each other. This is a two-year master´s thesis in library and information science. |
