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This thesis addresses the objective of formulating a moral-philosophically credible media ethics by encompassing two main dimensions: the examination of existing media-ethical models and the integration of sustainable arguments through utilizing eco-religious epistemology to overcome identified challenges. By incorporating eco-critical perspectives within the Media ecology tradition, which studies media as environments, the thesis proposes a creative intersection between established media theories and a theological tradition that tackles profound questions about humanity's place in the world. The initial section of the thesis analyzes moral-philosophical concepts within the media ethics frameworks proposed by three ethicists; Susanne Wigorts Yngvesson; Clifford G. Christians and Sandra L. Borden. While all three endorse universal values, they offer distinct frameworks for both understanding the ontology of universals and how these are contextualized in the journalistic community. Christians' moral epistemological theories,particularly regarding the ethics of being and Proto-norms have generated significant controversy and scholarly debate on the necessity and intellectual credibility of defending universal values in media ethics. Critical perspectives from this discourse are presented and evaluated as a complement to the analysis of Christians' media-ethical model. In exploring sustainable moral-philosophical arguments, the thesis suggests that moral claims can exhibit both universal and contextual characteristics. It suggests that a media-ethical model should integrate universal values with a communitarian perspective on journalists'moral responsibility. However, understanding the interplay between the contextual and universal dimensions of ethical values requires engaging in critical moral-philosophical theory. In addition, critical perspectives on technology and ideas of space and time need to be addressed in new ways. Thus, eco-religious epistemology, as advocated by ethicist and theologian Whitney Bauman, is proposed as a creative means to understand moral-philosophical questions regarding space/time, contextualism/universalism, and technology within media ethics. |
