The Study of The Past─A Study of Wang Wenting's Ink Painting
| Autor: | 王雯婷 |
|---|---|
| Rok vydání: | 2019 |
| Druh dokumentu: | 學位論文 ; thesis |
| Popis: | 107 Memories are everywhere in people’s life and the practice of life is always accompanied by the records from the past. Personal memory is complicated with numerous systems, of which one of the methods for life practice is retrospection and recalling. Through the increase of self-recognition, perception towards the process of painting, graphic artwork, and articles is then the reflection of self-experience. Pictures created by the artwork usually contain the elements of subjective expression and emotional transference. The scenarios portrayed by these memory images include the imagination of past experience in memory and the anticipation for the future, further establishing a fictional picture that is pieced together with fragmented memory representation, instead of a real painting circumstance. The introduction of chapter one explains research motivation and purpose, research content and scope, research method and limitation as well as the glossary of the terms used. Chapter two focuses on the meaning and transformation of the memory, describing research theory of memory based on ontology so that one can be familiar with memory images and memory transformation process, as well as the relationship between memories transformed and creation. Chapter three elaborates on the extraction of key elements during creation through personal creation concepts and practice, including the collection of painting materials and symbolization, space dividing method used for composition in order to refine styling for the contrast of the picture, deploy and create space between fantasy and reality as well as build atmosphere with colors and materials. Chapter four analyzes creation orientation and artwork; the artwork contains three series, including: new memory space, scenes in memory, and memory of state of mind, to discuss the topic, creation process of the artwork, and forms of representation separately. Chapter five, which is the conclusion, reviews the performance to examine the issues appeared during the process as well as the outlook for future creation. Creation is a portrayal towards life experience and the initial feelings are examined through the behavior of art creation; the creation behavior is used as a tool to organize one’s emotions and thoughts. The scenes and pictures on the creation are not only the energy received from external visible world and events experienced, but also the absorption and release from the remaining memories on the events that individual experiences. Therefore, past memories are penetrated through creation behavior and the perception on these memories are manifested and released in order to touch the past memories with the new life experience. Personal life experience is perceived through the artwork and the inner self is reviewed in order to investigate the link between the motivational force and creation. |
| Databáze: | Networked Digital Library of Theses & Dissertations |
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