A Study on the Charm Factors of Introducing Cultural Synesthesia to Stage Performance: Ten Drum Art Percussion Group's Song 'Da Po Lian Huan' as a Case
| Autor: | YANG, SHU-CHUN, 楊淑君 |
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| Rok vydání: | 2018 |
| Druh dokumentu: | 學位論文 ; thesis |
| Popis: | 106 As globalization becomes all the rage， the local culture and characteristics have gradually become weakened. Facing the competitive pressure from globalization， the Taiwanese government started to emphasize and develop the cultural and creative industry strategically in 2002， manifesting the local characteristics through policies， arousing the citizens’ emphasis on the local culture， and further connecting to the land. Therefore， respecting the local culture has become the present developing trend of the artistic creation. The cultural and artistic activities extended from culture also form the new cultural industry. Different cultural life leads to different emotional genes. Through sense and conscious， the audience perceives the loading and fetching of the memory and understands the ways of memory saving and the research on coding by following the research development in terms of psychology of memory. Finally， the field structure sufficient to create and extract the consciousness in the brain is presented， and then the phenomenon of “synesthesia” appears. This study makes the song “Da Po Lian Huan” of Ten Drum Art Percussion Group the research subject and， through the memory color of the local traditional art group in Taiwan， studies its content and the public’s synesthesia， which will further become the charm factors loved by the audience， and proposes the suggestions for the creative and developing directions of the following songs. The first stage of the study collects and organizes the related data through literature review and conducts the in-depth interviews of fifteen drama workers of high involvement through the evaluation grid method （EGM） of the charm factors. The interview results will be constructed as the charm evaluation structure plan and organized into three original charm factors， “cultural synesthesia，” “cultural innovation and heritage，” and “stage charm，” twelve concrete charm factors， and twelve abstract charm factors to serve as the items in the design of the questionnaire. The second stage will make the further examination through the questionnaire survey. The research result has pointed out that the influential charm in the consumers’ mind includes the factors of “cultural heritage，” “costume and style for the stage effects，” “technology combining the stage design，” and “local impression presentation.” This indicates that participating on the artistic and cultural activities can satisfy humans’ commitment and desire for the local culture reflected on individual emotions. From the interviews of those who personally engaging in the box-office work of the artistic and cultural activities and of the creators， it is found that the audience’s touching moments come from the emotional inspiration hidden in the works， which trigger resonance. The composition of the touching situation and atmosphere can achieve the phenomenon of synesthesia through decoding and overall arrangement. |
| Databáze: | Networked Digital Library of Theses & Dissertations |
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