Statement of the Reality and Illusion by Ya-Hsin Lee
| Autor: | Ya-hsin Lee, 李雅馨 |
|---|---|
| Rok vydání: | 2017 |
| Druh dokumentu: | 學位論文 ; thesis |
| Popis: | 105 When taking a broad view of art history, we will find the creative vocabulary from artists is closely related to and interwound with the experience in our daily life. The breadth and depth in personal life determine the content of the work is enriched or poor. Art starts with life, and rarely is out of touch with society. Though most of artwork wasn’t done for the historical backgrounds that its creator lived in, it reflected the backgrounds then because artists always infused the feelings they had perceived into their work. As a result, we can understand the aspects of the spatiotemporal background, social life, ideology, and material life at that time through the artwork. 。Wassily Kandinsky once said, ”Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated”. In the historical development of contemporary art, super-realism evolved in New York in 1970s, as known as photorealism, characterized by high level of technical prowess and virtuosity to simulate. Its paintings implied a genre of art that resulted from modern civilization. The artist took photos of the object to be depicted and transfered the image from the photographic slide onto canvases. By their skilled technical ability, they finished their painting with rationality. The resulting images were direct copies of the original photograph. Representative artists includes Philip Pearlstein, Henk Helmantel, and Claudio Bravo et al. And there are excellent photorealism artists in Taiwan such us Hsia Yan, Cho Yeou Jui, Ku Ho-Chung, Lien Chien Hsing, and Tzu-Chi YEH et al. There are lots of photorealism artists in the new-generation such as Lo Chan Peng and Yu Siuan et al. Artwork all created in a vivid style. And the objects of the painting included potrait, still life, psychedelic realism, street scenes under the neon, cities, and narrative scenes that exist in our daily lif. It means art comes from our life and art reflects our life. In this paper, I depict the creative vocabulary of my painting in a objective way and express the feelings in my heart and the thoughts about living field, life experience, and understanding. I am true to the subjective feelings and the imagination inside me. Art creators need to explore and feel new spatio-temporal phenomena. I hope I can follow the sensibility and creat in a realistic and rational way in the future. Through all of this to make my creation more unique and artistic. |
| Databáze: | Networked Digital Library of Theses & Dissertations |
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