Research and creation of 3D ink art aquarium animation
Autor: | CHOU KUO-CHENG, 周國成 |
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Rok vydání: | 2014 |
Druh dokumentu: | 學位論文 ; thesis |
Popis: | 102 Along with the digital science and technology changing, the digital technology is daily rapid progress. Especially, the appearance of the 3-dimensional computer animation evokes lots of impact and excitement for the animation creators. It impacts the produce and process way of the 2-dimensional animation and it also causes the great shock and tests for the graphic arts creation. The 3-dimensional computer animation is not only to subvert the graphic techniques concept and the creative thinking but also to create a new sight and value for the art work. It becomes the new lover of the contemporary art and media. The traditional ink painting art has history for thousands of years. If it seeks its vision breakthrough and innovation, it has to integrate the traditional ideas and value to combine with the technological era of digital media art. This is an unavoidable tendency and it is also the necessary for the artistic development. When the advent of the traditional ink painting animation in 1960s, it had shock lots of traditional ink painters and the artists. Now today, the meteoric development of the 3D ink painting animation had only a decade. But its impact and influence had covering television, movie, advertisement, gaming, animation, interactive media, action art, and on other related audiovisual areas. Its fascination and plasticity should not be underestimated. Creator extends the study scope of the 3D ink painting animation to the interactive story between aquatic animals. They refer to the three-stage of Syd Field and the “Conflict“ of Hegel as their script structure. They added the undulated circumstances into the animated story referring the Disney’s 12 animation criteria in order to exaggerate the story’s entertainment. By using the interactive plot of the aquatic animals, it reflects to the human biological underlying nature and the entanglement of moralization. It implies that humans should give away the force battle in order to living in the peaceful world. From the every stages of document study and film information analysis, and the creator’s observation, it found that if it using 3D animation software programs such as Autodesk、Maya, 2D special effects software such as Adobe After Effects, Image processing software such as Adobe Photoshop, and Post-production editing software such as Adobe Premiere Pro as their creating tools and it can more appear the material realization of 3D ink painting animation effect at the 3D space advantage and the display’s aesthetic compatibility by using the digital technique. This could be used as a reference for the researchers’ application area at the creation concept of the 3D ink painting animation. Furthermore, hoping this concept could extend the creative spirit of the ink painting art and promote the cultural integration for the animation development. |
Databáze: | Networked Digital Library of Theses & Dissertations |
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