The Performance and Interpretation of Fauré's La bonne chanson
| Autor: | Chen, Wen-Chieh, 陳玟潔 |
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| Rok vydání: | 2013 |
| Druh dokumentu: | 學位論文 ; thesis |
| Popis: | 101 The predecessor of French art songs came from Romantic period, dating from the 18th century to the first half of the 19th century. Most early composers of French art songs used “Parnassian” and “Symbolism” poems. Fauré composed more than 100 art songs during his lifetime. La bonne chanson has a song cycle of nine mélodies for voice and piano. It was composed in 1894. The cycle is based on nine of the poems from the collection of the same name by Paul Verlaine. In 1898, he created a version for voice, piano and string quintet. This cycle song was composed at the end of the 19th century. During that time, symbolists in French raised Symbolism upsurge. Tonality, cadence, motifs, and the relationship between lyrics and melody was well organised and the musical expressions embodied in each part of the mass were fully studied. |
| Databáze: | Networked Digital Library of Theses & Dissertations |
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