The horror cinema of Roman Polanski: study on Repulsion, Rosemary's baby and The Tenant.
| Autor: | Hui-Fang CHEN, 陳惠芳 |
|---|---|
| Rok vydání: | 2011 |
| Druh dokumentu: | 學位論文 ; thesis |
| Popis: | 99 The horror film has always been regarded as a commercial movie. It represents the bloody, evil, and perverted pleasure on the screen. It has been neglected or underestimated by many critics for a long time. The french philosopher Éric Dufour rethinks the nature of the horror cinema and proclaims that there is no good movie or bad one. The horror cinema is like the other genre, which could show its artistic quality. He puts forward a notion about “figure” and clarifies the misunderstanding of technique between explication and implication. It relies on how the directors embody their horror concept by these techniques. Roman Polanski is famous for his visual style. His horror films are deeply appreciated by the public. The director never shows the monsters, the bizarreries in the image or distorts the settings. All he has to do is follow a simple narrative and put a little thing to make the atmosphere uncanny. We select three films—Repulsion, Rosemary’s baby and The tenant for case studies. With the notion of the figure and film analysis, we could discuss these three films. |
| Databáze: | Networked Digital Library of Theses & Dissertations |
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