The Symbol of Images And Love--A Treatise on Painting Creation by Chang yao-ting
| Autor: | Yao-ting Chang, 張耀庭 |
|---|---|
| Rok vydání: | 2011 |
| Druh dokumentu: | 學位論文 ; thesis |
| Popis: | 99 The study is based on oil paintings to express my personal experience and points of view on love. The iconology is used in the study to explain my love symbol, and the concepts and skills of creative ways from Surrealism and Impressionism, are also adopted in the paintings. Except the deeper treatment of image symbol, there is also further analysis and realization of the creative ideas of Surrealism in the study, and the color concepts of Impressionism are also combined together to finish my creative paintings and thesis. In chapter one, it’s the introduction of whole study, including motive and purpose of creation, problems and difficulties on study, and research method. The chapter starts with my personal emotion, and describes how the oil paintings can express my emotion, how emotion and creative meaning can be conveyed through image symbols, and what kinds of problems on research and creation I met. From the aspects of methods, there are three methods. Firstly, it is the analysis of iconology, and it starts with the analysis of image symbol. Secondly, the treatment of literary is based on Surrealism and Impressionism. Finally, the creative experiment is to put my creative ideas into paintings. In chapter two, it consists of picture theory and symbol, and the main purpose of the chapter is to realize the origin, development, and theoretical foundation of image symbol. Furthermore, there are discussions of the application of traditional image symbol and discussions of new creative symbol generated from transformation of society. Descriptions of the relationship between iconology and works are presented in section one. The origin and development of symbol, including the application of symbol to creation on art, are described in section two. There are treatments of Panofsky''s iconology in section three. In chapter three, it includes the expression of symbolic subjects and love subjects. The treatment of symbolic presentation of traditional painting subjects in the section one. The discussions of the expression of love subjects in western art, such as religious classic, classical mythology, literature poetry, social customs, and the inner world of artists are presented in section two. In section three, there is exploration of Marc Chagall’s and Carol’s emotional expression and creative styles, and the subjects of their works are usually on the basis of sentiment. Besides, there is also clear statement about their affection on my creations. In chapter four, there is detailed explanation of the style and symbolic content of my works ( author, Zhang Yao Ting ), and there is description of the relationship between Surrealism and Impressionism. The description of the background, expression way, and creative skills about Surrealism and Impressionism is put in section one, and there is also explanation of how I employ those concepts to personal creations. In section two, there is description of the image symbols on my expression ways, which are mainly based on traditional images and personal creative images. In chapter five, it’s the analysis of personal works, and the experience and transformation of my creations in the process are clearly presented, including the statement of creation ways and ideas of all my works. In the section one, it describes the source of inspiration of my creation, the difficulties, and the breakthrough. In the section two, there is deeper analysis of all works, and there are treatments of the content of subjects and treatments of formal skills. Finally, research findings, which are found in my creation and writing of essay, are proposed, including my personal learning experience, what I learn from the experiences, and the direction of future creation. My future creation will be based on the above several points. |
| Databáze: | Networked Digital Library of Theses & Dissertations |
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