Pinhole Photography, The Study of Modern Observe by Camera Obscura
Autor: | Ju-Feng Sung, 宋如峯 |
---|---|
Rok vydání: | 2010 |
Druh dokumentu: | 學位論文 ; thesis |
Popis: | 98 From ancient times to the present, Image has always been that people used to show art, continuation of civilization, one of the most important methods to pass messages. Whether from France Lascaux and Spain Altamira prehistoric cave paintings, to modern day Da Vinci, Michelangelo and many other well-known artists painted numerous paintings, Paintings can be found in the image record of the evidence. In fact, painting and photography has always been a close correlation exists, as many painters who have used a tool called “Camera Obscura” as a painting, when the auxiliary. By the camera obscura pinhole imaging principle, so that camera obscura in the Kind effort, eventually evolved into today's photographic equipment, and thus make photographic images of the world today changed the outlook, so photography is an extension of painting is not an exaggeration. Therefore, the study will start from the self-made original camera obscura, from the production process of painting and photography in the observation of the evolution of the association. Secondly, the use of camera obscura actually shot through the traditional methods to create differentiated and digital photographic images. Finally, this combination of photography and painting concept called pictorialism exhibition created to understand the audience watching, the intersection of classical and modern visual reaction, and academic and artistic value. And propose follow-up to the direction of development and suggestions, hoping to get more in different areas of image reproduction. |
Databáze: | Networked Digital Library of Theses & Dissertations |
Externí odkaz: |