A Study of Johannes Brahms' ' Variations and Fugue on aTheme by Handel, Op.24'
| Autor: | Shin-yi Liou, 劉欣宜 |
|---|---|
| Rok vydání: | 2009 |
| Druh dokumentu: | 學位論文 ; thesis |
| Popis: | 97 The research discusses Brahms’ “Variations and Fugue on a Theme by Handel, Op.24”. It was completed in 1861, including 25 variations and an extensive fugue. The theme was based on the Suite in B-flat Major, HWV 434 in Handel''s Suite de Pieces pour le Clavecin, Second Volume, released in London in 1733. This composition not only exhibits the skillful integration of the ornamentation and contrapuntal techniques of the Baroque Period, but also possesses the structure of the Classical Period and the spirit of the Romantic Period, demonstrating a perfect combination of Brahms’ sense and sensibility. As a whole, this piece is one of Brahms’ most significant variations. This thesis is divided into six chapters. The first chapter describes the orientation of this research. Chapter two explores the origin of Romanticism, as well as the characteristics, genres and composition techniques of this period. Chapter three is dedicated to Brahms’ life and philosophy of music, along with his piano music works and major composition techniques. Chapter Four gives the definition of variations, and examines its development, forms and features in different periods. This chapter also includes a concise discussion on Brahms’ seven variations. Chapter Five presents the background on Brahms’ “Variations and Fugue on a Theme by Handel, Op.24” and its reviews. Furthermore, an analysis of this piece in terms of melody, rhythm and harmony is made in this chapter, in the hope of providing an appropriate performing interpretation. Chapter Six is a summary of the above five chapters. It is discovered that Brahams purposefully divided the Variations into three major sections, with intentional grouping of certain motifs, variation techniques, or similar variations. The variations in this piece are quite diverse, including Siciliano, Gigue, Hungarian and Musette styles. Furthermore, Brahams’ excellent use of different techniques, such as syncopation, cross-rhythm, and stressed weak beat to produce irregular rhythms, is fully demonstrated in this piece of music. In terms of the melody, the preference for middle and low ranges, and the xii additional use of irregular music sentences increase its diversity. In the final fugue section, Braham displayed his outstanding contrapuntal techniques with the theme appearing alternately in different segments in the form of original, elongation, inversion, and as a result, presents a colorful atmosphere. |
| Databáze: | Networked Digital Library of Theses & Dissertations |
| Externí odkaz: |
|