Zhui Bai QiuA Research Study on the Adaptation of Kunqu Gezai Xi
| Autor: | own yi hwang, 黃婉儀 |
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| Rok vydání: | 2009 |
| Druh dokumentu: | 學位論文 ; thesis |
| Popis: | 97 The purpose of this thesis is to investigate the adaptation techniques ranging from version of the closet play to that of the theatre play in Zhui Bai Qiu, the assorted Kunqu Opera collection during the mid-Qianlong period, as well as the artistic impact and meaning of the adapted plays. Chapter 1 illustrates the collection history, stylistic structures and functions of the Zhui Bai Qiu, followed by the clarification on the scope of study and the explanation of the research approach. Chapter 2 and 3 investigate the adaptation techniques in Zhui Bai Qiu, which will be divided into two categories—revised adaptation and creative adaptation. Chapter 2 labors upon four types of revision techniques, which are division, alteration, elimination, and expansion. The adapted characters, plots, and theme through division, alteration, and elimination generally remain in line with the tone of the original work. However, the effect of expanded adaptation is slightly different, through which plot development, interpretation, and viewing focus will be intensified and even stretched. Chapter 3 attempts to rationalize another technique—creative adaptation—in Zhui Bai Qiu. Section I discusses the Thirteen Gezai Xi adapted by Liyuan performers, while section II analyzes the ending style of Kunqu Gezai Xi in the Zhui Bai Qiu. After the description of the adaptation techniques, Chapter 4 discusses artistic effects of adaptation in the Zhui Bai Qiu, including theme-based exaggeration performance, fuller image-shaping of the characters, additional humorous elements, and the combination of singing and dancing for an added enjoyable experience. One of the reasons Liyuan Theatre often creates adaptation dissimilar to the original play is to respond to the viewing preference of the contemporary audience. Therefore, the first three sections in Chapter 5 will seek to interpret audience’s viewing angle by examining such aspects in the adapted Zhui Bai Qiu as panegyrizing virtues and cultural values, possible plot indication at each turning points, and the employment of supporting roles and antagonist. The last section discusses rhythmic development of props in the Zhui Bai Qiu. Finally, Chapter 6 concludes the thesis by pointing out the direction in which the study of the Zhui Bai Qiu can be furthered and broadened. |
| Databáze: | Networked Digital Library of Theses & Dissertations |
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