Heterogeous writing under cultural reulation
| Autor: | Chin-Yao Yang, 楊景堯 |
|---|---|
| Rok vydání: | 2007 |
| Druh dokumentu: | 學位論文 ; thesis |
| Popis: | 95 Heterogeneous writing comes from the conflict between my life and creative works. In order to get rid of the lost and anxiety caused from conflicts, the writer continue to walk on the edge. Like moving water drop, I don''t have context to follow, but I don''t leave it at all. I try to find my own place back there. Possibly, my resist against recognized precedent keeps myself distance from others'' expectation, the speed of life and attitude to life, or the mental state toward creative work. Possibly, It is caused from the short of independence; possibly I always don''t want to be under the regulation. This heterogeneous writing Is proceeding under this kind of attitude. People''s life has been separated from traditional agriculture, but we still use the Intermediary of agricultural life. So it must have conflict. I believe the biggest conflict probably can produce biggest power. During this process, it takes time to crash before find of the exit. Probably, It will cause lost and anxiety for a while. During this process of countless failure, however, I am getting to know my situation and find my exit naturally. I also getting to know my place on creation.Ink-painting has been producing new form nowadays. It is a kind of continuity, but also a kind of breaking. No matter how I call them, I am only certainly sure I am on the edge of wash painting. Although on creation, I start with the traditional ink-painting form, the creative work finally still has distance from the traditional form. It is the direction I study ink-painting with. It must related with my life, the various special phenomenon in now society, and the conflict produced from the present age art which stride out to other territory. I face this conflict, but I believe the biggest power can be produced from conflict probably. How to face it, and how to cope with is the first work, as a ink-painting creator, I need to deal with. It Is also a long-term question I consider. I keep myself a distance from traditional ink-painting. The distance comes from that I hope to keep myself awake not to become rigid on creation. It can also help my creation be more expansive, not to be limited by its already decided form. On the other hand, I hope my self be more prejudice on it, and not to complete follow It. By this way, I can regard ink-painting as nutrition that I can examine at anytime and take Its strong point. A creator who got in touch with traditional ink-painting, faced the various value In present age, felt anxious In transition period and wandered between conservative and progressive. Because my habit on creation and attempt to solve personal anxiety, I continue to think which part I can Insist and which part I must give up. The following essay although not mature yet is the brief arrangement during my study: The first chapter illustrates my observation to ink-painting at present age. Homogenization, continuation, breaking, are as the several sides of ink-painting. When western classics become popular culture, ink-painting takes western classic works as the reference continuelly that possibly make itself like all other avant-grade art lost Its own unique. Facing this culture Impact, naturally will form two extremes: conservativeness, Insisting on typical way of ink-painting, and progressive, not relying on history and reset the ink-painting creation. The second chapter starts to examine the influence on my past creative work and presents the part of creation which I still look highly upon. I start from time, Intermediary, and traditional ink-painting. Intermediary and the viewpoint on time of me accords. Intermediary It self make me look more highly upon writing and become my speciality In the art of present age. Traditional form has been produced a unique space-time Idea which can present. The third chapter illustrates the creative idea under using ink- painting intermediary. I illustrate the part that I care now by the mixing of nature and me, the analysis of consciousness as writing, and inertia experiences. The mixing of nature and me means the interacting between me and nature.。The analysis of writing means to analyse consciousness, unconsciousness as writing, and the relationship between writing and consciousnessInertia illustrates the past experience about writing and the influence upon painting. The four chapter illustrates my organization on creative work of wash painting.Move-quiet, abstractness-concreteness, line quality, big-size made and screen, those are the way of analysis. Move-quiet, abstractness-concreteness accord with the traditional wash painting viewpoint. Line quality Is the basic essence of my creation. The big size of painting and screen are my way of presentation in show room. |
| Databáze: | Networked Digital Library of Theses & Dissertations |
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