A study on the Development in Imitation of the Style of a Landscape Painting by Huang Kung- Wang in the Declining Years of the Ming Dynasty and the early Period of the Ching Dynasty — With the Influence of the Style of a Landscape Painting by Huang Kung
| Autor: | BAE HYUN JIN, 裴賢真 |
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| Rok vydání: | 2002 |
| Druh dokumentu: | 學位論文 ; thesis |
| Popis: | 91 The imitation of the ancient style was most popular in the later period of the Ming Dynasty and the early period of the Ching Dynasty. The main reason was that the development of painting style of the school of Wu went to an abuse that not only the calligraphy style was extremely dried and fine, but also the composition of the painting was trifling and complicated. Therefore, it leads to that Tung Ch’i- ch’ang (1555-1636) proposed 「the sectarian school of South and North」 to follow the ancient style. These theories made many painters of that time painted following the ancient style and imitated the paintings of Tung Yuan, Chu-jan, Mi Fei, and “Four Great Masters of the Yuan dynasty”, etc. Among all of them, Huang Kung-Wang possessed utmost high position in the Yuan Dynasty and the whole Chinese painting history because of his outstanding and original achievement on Landscape painting. Besides, his painting was regarded as the typical style of the painting in the literary artist’s style. As a result Huang Kung-Wang was highly praised by Tung Ch’i- ch’ang(in the decling years of the Ming Dynasty) and Wang Shih-min, Wang Chien, Wang Hui, Wang Yuan-ch’I(in the early period of the Ching Dynasty). Therefore, it made the subjects of these painters named “The imitation of Landscape Painting by Huang Kung-Wang”, and at last they created other painting style respectively. The trend of imitating the Landscape Painting by Huang Kung-Wang spread to Korea as the painters of Korea and China communicated more frequently, and caused huge impacts on painting history in the later period of Chosǔn Dynasty of about 18 centries to 19 centries. Because knowing 「the sectarian school of South and North」 of Tung Ch’i-ch’ang, the Chosun painters, as painters of China, imitating the painting skills of the Southern school gradually in the later period of Chosun painting history. But, most Chosun painters except for a few Imperial envoy for Peiking could not see the original works of these famous Chinese painters, so it holds more important position for Chosǔn painters to imitate the model paintings of ancient Chinese painter. Among these model paintings, Ku shih hua pu《顧氏畫譜》and Chieh tzu yuan hua chuan《芥子園畫傳》have more influence on Landscape Painting. Through these model paintings, the Chosun painters learned painting skills of Huang Kung- Wang or that of other imitating paintings in the Ming and Ching Dynasty. As a result, the effect displayed by the Chosun paintings including model painting pictures and painting style of the Ming and Ching Dynasty. Compared the imitating Landscape Paintings in the later period of Chosun Dynasty to that in the later period of Ming Dynasty and the early period of Ching Dynasty, although all these painters learned the traditional painting style of Huang Kung-Wang, their works were different at composition and skills distinctly. That was because these painters lived in different countries (China and Korea), and their affections and experiences about the paintings of Huang Kung-wang were also different. |
| Databáze: | Networked Digital Library of Theses & Dissertations |
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