Research of traditional playwriting 'Sou Li Yuan' ,dased on the oraldictation of an artist in Fakein

Autor: Tsao,Shan-Fei, 曹珊妃
Rok vydání: 2000
Druh dokumentu: 學位論文 ; thesis
Popis: 88
The so-called "Chinese Opera" in current cross strait used to be called "Chi-Tzu Ban", a theatrical troupe with seven actors, or used to be called "Nan-kuan Hsi" (Southern brass drama), a kind of drama especially match with southern brass, dialect in Fukein accent, and instage, action dialogue, and lines reading. There are three parts of it, they are, and .The above drama not only spread in "Chuyan Tsao" district but also Taiwan and immigrant area in South Eastern Asia. "Li Yuan Hsi", the Chinese opera, was to sail across a sea accompanied with the Fukein immigration in the last period of the "Ming Dynasty". In the Ching Dynasty, owing to the tradition of Fuckein, whenever there is a fair in connection with worshiping the diety or wedding ceremony or funeral obsequies. There will be a theatrical trouple, a play performance to worship the God and present mortal's respect to immortal. That's the reason why "Li Yuan Hsi" is so popular during that time. Once there's a case that the audience argues and fights with each other because of their jealousy for the spotlight on which actor. According to the above description, we can see why it's fascinating and enchanting for people. However, even though it has been popular for a period of time, the changing environment of it's survival causes it's decreasing of performance. "Li Yuan Hsi" is an unusual species of drama worthy of researching it's value. But it's a pity that former scholar focus on history of "Li Yuan Hsi" and where it did derive from, it's tune, pronunciation and music. They ignore the importance of the literature of the playwriting. According to the above said, this article mainly talks about difference of "Sou Li Yuan" and does the literary research about traditional playwriting.Therefore, this article not only can make a whole observation in species of "Li Yuan Hsi",but also complete various of plays, recognize theme of playwriting, culture, conscience, and literary skills. Through the above steps, I believe we can represent value of literature of playwriting and clear everyone's misunderstanding of it. Way of research at this paper: I take three procession including book, reading playwriting and investigation. Chapter 1: Introduction The description of the motivation of research, methods and targets, talks about why "Li Yuan Hsi" has been called "Nan-kuan Hsi", what's the main reason of it and roughly describing the source and species of the play including its character and title. Chapter 2: The "Li Yuan Hsi" announces that each of three has its own series of desperately non-repeat 18 "Pen Tou"(act). What are their hobbies? They all have different ideas about it. What the standard of its critical of "In or Out" act and all of this kind of historically ambiguous questions. We'll talk about it in this chapter. Besides this chapter will make aclarification about how "Li Yuan Hsi" is derived from "Nan Hsi"in detail and make a observation about "local act" and "transplant act"depend on its unique point. Chapter 3:The old "Sou Li Yuan" only performs love stories.But being chosen by subject matter theme of its script, we can group them into a proper way. And then we can discover the thought inside of the play to understand the social climate and people. Chapter 4:The traditional end is a happy ending all the time.But how to express its main idea, and what's its consideration? The above said is our major point of view for discussion. We can handle skill of literature of playwriting through discussion of its expression. Chapter 5:Platfrom performance is under the arrangement of a rule of its script. And the structure of the play is grouped into plot and characters. What's the mode of typical "Sou Li Yuan" play? Is it the same with fate of Nan Hsi" that determines man's own destiny, or the unity of one man in one subject? And it is a kind of stereotype for its program, which can be made? They are the main thesis in this chapter. Chapter 6:In conclusion, let's take a look at the relationship in act of "Sou Li Yuan", performing place and style which judge the evaluation of literature of its playwriting and raise future aspect of culture of "Sao Li Yuan".
Databáze: Networked Digital Library of Theses & Dissertations
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