| Popis: |
This historical research study situates the pedagogical work of Dr. Margaret Taylor Goss Burroughs (1915-2010) within the histories of art education. By situating a Black women art educator into the histories of art education during the 1940s-1960s, the history of art education must be reconsidered. By tracing and crafting a bridge from the work of Carter G. Woodson and the concept of fugitive pedagogies to Dr. Burroughs, a clearer picture of the art classroom within de facto segregated high schools emerges. Utilizing alternative historical methods such as microhistory, critical fabulation, and place-based methodologies, Margaret’s educational career comes into focus, challenging the dominant narratives within histories that continue to obfuscate the work of Black art teachers.The analysis first looks at Margaret’s biographical information prior to becoming a teacher, including her experiences within the school systems of Louisiana and Chicago. From there, I trace the ways that art education became a major theme in her life, and the ways that her art teachers worked to provide her the opportunity to become an art educator. The second section focuses on two different layers of analysis: one utilizing the tenets of fugitive pedagogies to deepen our understanding of Margaret’s work in her high school classroom; the second focusing on the importance of place and how being in Bronzeville and dedicating herself to her community impacted her and gave her a reason to leave the classroom and become the head of the DuSable Museum of African American History. |
