| Popis: |
his thesis is a discussion on the affective politics of images, with attention given to the communities and forms of citizenship they create, both digital and real, and their role in contemporary revolutions in the Middle East/North African Region. Employing Ariella Azoulay's (2008) theoretical framework of a civil contract of photography, this thesis locates and examines how a “citizenship of photography” is mobilized through current trends of citizen photojournalism and communication technology. By exploring the citizenship and community building potential of images, digital and real, an account of the revolutionary possibilities of images is formed. Drawing on recent scholarship and theoretical frameworks in the field of visual studies, media studies, and citizenship, this thesis develops a complex narrative of how images become iconic, connect individuals, and become an integral component in contemporary revolutionary change. |
