DZI CROQUETTES: inven??es, experi?ncias e pr?ticas de si - masculinidades e feminilidades vigiadas

Autor: Silva, Natanael de Freitas
Jazyk: portugalština
Rok vydání: 2017
Předmět:
Zdroj: Biblioteca Digital de Teses e Dissertações da UFRRJUniversidade Federal Rural do Rio de JaneiroUFRRJ.
Druh dokumentu: masterThesis
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Made available in DSpace on 2018-08-28T13:41:15Z (GMT). No. of bitstreams: 1 2017 - Natanael de Freitas Silva.pdf: 3959556 bytes, checksum: 8943fd092c9031d528a367a7046b05f7 (MD5) Previous issue date: 2017-05-19
Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES
As a constellation of speaking and desiring bodies, producing displacements, dispersion of gender and individuality. This way I can tell that Dzi Croquettewas important in a period of great effervescence and creativity in the field of the arts (theater, literature, music), Customs and habits such as sexual liberalization, but also of control, censorship, repression and violence, between beards, purples and sequins, the Dzi Croquettes, in the years 70, with their artistic performances marked by the ambiguity of genre, in a fusion of theater and humor, with strong steps, dances and rolls and combining in an unusual way football socks with high heels, bras with hairy breasts, false eyelashes with beards, erased the historical borders of gender. Not by chance, they said: ?We are not men, nor are we women. We are people, people computed just like you!? In view of this, my goal is to historicize the meanings attributed to the experiences of masculinities and femininities in Dzi Croquettes. From a post-structuralist theoretical contribution, I appropriate some of the propositions of authors such as Michel Foucault, Joan Scott and Judith Butler, to think how generalized experiences and positions of identity are forged historically and to what extent Dzi Croquettes Helped to destabilize heteronormativity and a project/desire of social homogenization engendered by the "rotten powers" during the dictatorship
Como uma constela??o de corpos falantes e desejantes, produzindo deslocamentos, dispers?o do g?nero e do indiv?duo, assim posso caracterizar os Dzi Croquettes. Em um per?odo de grande efervesc?ncia e criatividade no campo das artes (teatro, literatura, m?sica), dos costumes e dos h?bitos como a liberaliza??o sexual, mas tamb?m de controle, censura, repress?o e viol?ncias, entre pelos, barbas, purpurinas e paet?s, os Dzi Croquettes, nos anos 70, com suas performances art?sticas marcadas pela ambiguidade de g?nero, numa fus?o de teatro e humor, com passos fortes, dan?as e rebolados e combinando, de maneira inusitada, meias de futebol com salto alto, suti?s com peitos cabeludos, c?lios posti?os com barbas, borravam as hist?ricas fronteiras de g?nero. N?o por acaso, eles diziam: ?N?s n?o somos homens, nem somos mulheres. N?s somos gente, gente computada igual voc?s!? Em vista disso, o meu objetivo ? historicizar os sentidos atribu?dos ?s experi?ncias de masculinidades e feminilidades em Dzi Croquettes. A partir de uma aporte te?rico p?s-estruturalista, me aproprio de algumas das proposi??es de autores como Michel Foucault, Joan Scott e Judith Butler, para pensar como as experi?ncias e posi??es de identidade generificadas s?o forjadas historicamente e, em que medida os Dzi Croquettes ajudaram a desestabilizar a heteronormatividade e um projeto/desejo de homogeneiza??o social engendrado pelos ?podres poderes? durante a ditadura
Databáze: Networked Digital Library of Theses & Dissertations
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