Frayed Ends: Refugee Memory and Bricolage Practices of Repair in Dionne Brand's "What We All Long For" and Kim Thúy's "Ru"

Autor:	James, Jenny M.
Zdroj:	MELUS, 2016 Oct 01. 41(3), 42-67.
Databáze:	JSTOR Journals
Externí odkaz:	http://www.jstor.org/stable/44155261 Zobrazit plný text záznamu