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George Meredith, OM, was born in Portsmouth, England on February 12th, 1828, a son and grandson of naval outfitters. His mother died when he was only five. As a fourteen year old teenager he was sent to a Moravian School in Neuwied, Germany, staying there for two years. After reading law he was articled as a solicitor, but quickly abandoned that career path for journalism and poetry. He collaborated with Edward Gryffydh Peacock, son of Thomas Love Peacock in publishing a privately circulated literary magazine, the Monthly Observer. At age twenty-one he married Mary Ellen Nicolls, Edward Peacock's beautiful widowed sister, and mother of a child, on August 8th, 1849. Mary Ellen was twenty-eight. The marriage produced one child; Arthur (1853–1890). Meredith collected his early writings, all previously published in periodicals, in an 1851 volume, Poems. In 1856 he posed as the model for The Death of Chatterton, a well-known picture by the English Pre-Raphaelite painter Henry Wallis, which romantised the teenage Chatterton's demise. Although Meredith received some publicity for this his wife received rather more attention from Wallis because of it. Mary Ellen ran off with Wallis in 1858, shortly before giving birth to a child that all assumed to be Wallis. Tragically she died three years later. From that dreadful experience emerged a collection of sonnets entitled Modern Love in 1862 together with much of his first major novel; The Ordeal of Richard Feverel. Meredith married Marie Vulliamy on September 20th, 1864 and they settled in Surrey. Together they had two children; William (born in 1865) and Mariette (born in 1874). He continued writing novels and poetry, often inspired by nature. He had a keen understanding of comedy and his Essay on Comedy (1877) remains a reference work in the history of comic theory. In The Egoist, published in 1879, he applies some of his theories of comedy in one of his most thoughtful and enduring novels. During most of his career, he had difficulty crossing over from critical acclamation to popular success. It was only in 1885 that his first genuine commercial success appeared; Diana of the Crossways. An artist's life throughout the ages, when not subsidised by a patron, is often difficult. Meredith found it no different. With an unreliable income stream he sought to bolster that with a job as a publisher's reader. The company that gave him this lifeline was Chapman & Hall (an eminent publishing house who could include Charles Dickens, William Makepeace Thackeray, Elizabeth Barrett Browning and Anthony Trollope on their roster). His advice to the company was very well received and made him influential in the world of letters. To this influence he was able to add a circle of friends that included William and Dante Gabriel Rossetti, Algernon Charles Swinburne, Cotter Morison, Leslie Stephen, Robert Louis Stevenson, George Gissing and J. M. Barrie. In 1868 Meredith was introduced to Thomas Hardy. Hardy had submitted his first novel, The Poor Man and the Lady. Meredith felt the book was too bitter a satire on the rich and told Hardy to put it aside as it was likely it would be savaged by reviewers and destroy his nascent career. Meredith had received the same reaction with The Ordeal of Richard Feverel. Although it had brought him success it was judged so shocking that Mudie's circulating library cancelled an order of 300 copies. But these years, creatively, were very prolific and successful for Meredith. Novels and poems flowed from his pen including everything from The Adventures of Harry Richmond to Diana of the Crossways and many poetry volumes include The Lark Ascending (which later inspired the Vaughan Williams music). In 1886, tragedy struck the Meredith household when his second wife, Marie Vulliamy, died of cancer. Whilst his personal life was producing horrendous scars he was receiving many accolades. Oscar Wilde was a fan. In The Decay of Lying, (originally published in |
