| Popis: |
This article claims that the UK immigration complex is best understood as an apparatus (in the sense of Foucault and Agamben) that uses stress as a tool. It further argues that the Refugee Tales project acts as a counter-apparatus, and that the project’s life writing branch makes visible the many roles which stress plays in the context of immigration legislation. Stress researchers in the humanities maintain that poverty is one of the greatest stressors (Baker), that cutting people off from their material and mental resources is the most effective way to produce stress (Hobfoll), and that disturbing established rhythms of stress and relaxation can lead to ‘zombification’ (Korovkin/Stephenson). Selected pieces of life writing by women and men in the four volumes of Refugee Tales published to date, shed light on how stress manifests for people caught up in the immigration apparatus. They do so by demonstrating how narrative can i) be a source of stress, ii) trigger stress originally caused by something else, iii) represent stress, iv) perform, v) communicate, but also vi) alleviate it. By visibilizing what the immigration apparatus keeps from view, the analysed pieces of life writing contribute to Refugee Tales’ overall goal of putting an end to indefinite detention in the UK. |
