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“Paranada: Beyond Beyond” represents the culmination of the author'sresearch findings of geometric evidence in the Pythagorean design of the temple andtheatre complex of the ancient Greek Temple of Delphi. Rather than a dualistic moraljudgment, Delphic rites sought a dynamic equipoise between Apollonian and Dionysianpsychic forces, transcending the self/boundless dichotomy. The temple has a deflection of7.5 degrees—1/12th the 90-degree gravitational fall of all existents, the gravitationalfactor in music theory (as in the Pythagorean "harmony of the spheres") in each note'sdescent in the 12-tone scale's octaval fall. Significantly, this means that the Delphicdesign encapsulates a space/time concordance. The design reveals that Pythagoras'epochal concept of a transcendent kosmos is realized in both space (the sacred site'scosmic plan) and in time (the nightly celestial whirl of constellations above it).“Paranada” traces this discovery of a divine order at the Delphic center to the sages of thekingdom of Bharat in ancient India and the birth of speculation on the meaning ofexistence in their most sacred Rig Vedic "Creation Hymn" X. 129. “Paranada” thussuggests that the Western cultural tradition is derived not ultimately from Greece, butfrom India, and contemplates the significance such ancient visionary philosophicalinsight might have for the daunting challenges continually confronting us. This workconstitutes an eclectic integration of transdisciplinary insights into the known and theunknown, the arts and the sciences, and science and religion. In descriptive and poeticforms, “Paranada” seeks to find vital correspondences and affinities among Pythagoreangeometry; numerology; cosmology; ancient psychologies; nature philosophy andmysticism; Greek mythology; Greek, Shakespearean, and modern tragedy; quantumphysics and astrophysics; and transcendent cosmic consciousness. |
