| Autor: |
Chang-Min Yu |
| Jazyk: |
angličtina |
| Rok vydání: |
2017 |
| Předmět: |
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| Zdroj: |
NECSUS, Vol 6, Iss 1, Pp 189-207 (2017) |
| Druh dokumentu: |
article |
| ISSN: |
2213-0217 |
| DOI: |
10.25969/mediarep/3384 |
| Popis: |
Through defining cinematic subjectivity as both composite and aggregate, this article examines cinema’s Turing test – the relationship between artificial intelligence and cinema – via the case study of HARDCORE HENRY (2015). It does so via analysing how the film is composed of a series of (semi-)subjective images that deliberately imitate the style of first-person shooters in the entanglement of vision and tactility and investigating how the electronic consciousness formulated by the film is ‘pure intelligence’ in both senses. |
| Databáze: |
Directory of Open Access Journals |
| Externí odkaz: |
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