| Autor: |
Olena Pavlova |
| Jazyk: |
English<br />Polish<br />Russian<br />Ukrainian |
| Rok vydání: |
2019 |
| Předmět: |
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| Zdroj: |
International Journal of Slavic Studies, Vol 1, Iss 2019, Pp 99-108 (2019) |
| Druh dokumentu: |
article |
| ISSN: |
2658-154X |
| DOI: |
10.34768/q8ep-6y13 |
| Popis: |
The study is devoted to the analysis of the interaction of the comic and political in the logic of the popular culture organization. The latter is defined as a form of de-differentiation of mass and elite cultures. It differs from the democratic foundations of Antiquity, where the political needed forms of critical comedy under circumstances of the external institutions absence for self-correction. In the same way, the postmodern situation in the conditions of de-differentiation of all forms of culture gives populism as a new form of political and comic interaction in the conditions of the crisis of the Modernity basic institutions. Postmodern synthesis of political comic and administration of horror testifies to a dedifferentiation in popular culture, and is a symbol of the end of the social. The horror of the total chaos of personified corruption highlights the ironic evidence of their political scheme and the comic populism of their representations. Unlike the comic of Antiquity, where theatrical satire was a way of social criticism of political leaders, and, consequently, a way of increasing meaning, the comic populism of post-modernity is a way of concealing the disappearance of meaning. Although both historical versions of the interaction of political and comic work in the logic of the sign and dominant of popular culture in these periods. |
| Databáze: |
Directory of Open Access Journals |
| Externí odkaz: |
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