Subjective destitution in art and politics: From being-towards-death to undeadness
| Autor: | Slavoj Žižek |
|---|---|
| Jazyk: | Catalan; Valencian<br />English<br />Spanish; Castilian |
| Rok vydání: | 2023 |
| Předmět: | |
| Zdroj: | Enrahonar: Quaderns de Filosofia, Vol 70 (2023) |
| Druh dokumentu: | article |
| ISSN: | 0211-402X 2014-881X |
| DOI: | 10.5565/rev/enrahonar.1393 |
| Popis: | Jacques Lacan coined the term “subjective destitution” to describe the concluding moment of a psychoanalytic treatment. This concept can also usefully be applied to art and to politics. In art, subjective destitution can be defined as a passage from being-towardsdeath to undeadness, in other words to the position of the living dead – this passage takes place between Shostakovich’s 14th symphony and his final symphony, the 15th. In politics, subjective destitution designates the passage of a political subject to a radical de-subjectivization, to becoming an object of a political cause. |
| Databáze: | Directory of Open Access Journals |
| Externí odkaz: |
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