| Popis: |
Although in postcolonial ecocritical literature the agency of animals finds full recognition, representations of insects are so rare that curiosity arises about their untapped ecocritical meaning. Interestingly, in Namwali Serpell’s The Old Drift, a chorus of mosquitoes takes centre stage. In the first section of this paper, I argue that Serpell’s novel recontextualises classical references, placing them between adaptation to the conventions of epic poems and innovation. In the second section, the ecocritical meanings of the chorus of mosquitoes are analysed and framed in relation to the concepts of ‘simulacrum’ and post nature. |
