Entrecroisements transatlantiques : les expositions de Lasar Segall et leur réception en Allemagne, au Brésil et en France dans les années 1920 et 1930
| Autor: | Melanie Vietmeier |
|---|---|
| Jazyk: | francouzština |
| Rok vydání: | 2024 |
| Předmět: | |
| Zdroj: | Brésil(s), Vol 26 (2024) |
| Druh dokumentu: | article |
| ISSN: | 2257-0543 2425-231X |
| DOI: | 10.4000/12t9y |
| Popis: | Since the 1990s various approaches have challenged the conceptual category of modernism as a European phenomenon and sought to rewrite the history of modern art as a history of global interconnectivity. Hence the growing awareness of the importance of migrant and exiled artists. In this context, the article focuses on the Vilnius-born painter and sculptor Lasar Segall (1891-1957) as a paradigmatic example of migrant artists who contributed to transcontinental encounters. The focus will be on a selection of Segall’s exhibitions and commissions and their reception in Düsseldorf, São Paulo, Berlin, and Paris in the 1920s and early 1930s. The text draws on a variety of archival sources, including correspondence, exhibition catalogues, and press reviews, which on the one hand reveal Eurocentric perspectives and on the other present Segall as a transversal artist with a transnational trajectory. |
| Databáze: | Directory of Open Access Journals |
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