Drago Jančar’s To noč sem jo videl and Ob nastanku sveta and the Notion of Memory Literature
| Autor: | Andrea Leskovec |
|---|---|
| Jazyk: | German<br />English<br />Spanish; Castilian<br />French<br />Italian<br />Slovenian |
| Rok vydání: | 2024 |
| Předmět: | |
| Zdroj: | Ars & Humanitas, Vol 18, Iss 1 (2024) |
| Druh dokumentu: | article |
| ISSN: | 1854-9632 2350-4218 |
| DOI: | 10.4312/ars.18.1.25-38 |
| Popis: | An important theme in Slovenian literature after 2010 is confrontation with the Second World War and the post-war socio-political discourses. This kind of literature could be called memory literature, where the focus is less on the subjective perspective of memory and more on the function of this literature, which is, among other things, to reflect the discourses of memory. This function can be subversive or stabilising, meaning that this kind of literature influences and helps shape socio-political and historical discourses. This is also the case with the novels To noč sem jo videl and Ob nastanku sveta, which deal with the Second World War and the post-war period, thematising not only the war as such, but also the related socio-political discourse of the post-war period and the present, which is characterised by ideological polarisation. Not even the discourse of literary science is exempt from this polarization, where – as in the literary works themselves – conflicting cultural memories confront each other. There are at least two reasons for this. On the one hand, there is the politico-ideologically motivated question of power. The second reason is that at first sight, the novels reproduce and reinforce established social narratives, which links them to social reality and makes them relatively easy to instrumentalise. However, the analysis shows that the novels attempt to break down standardised and homogenising concepts of the past. |
| Databáze: | Directory of Open Access Journals |
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