| Autor: |
Jean-Jacques Marchand |
| Jazyk: |
English<br />Italian |
| Rok vydání: |
2023 |
| Předmět: |
|
| Zdroj: |
DNA Di Nulla Academia, Vol 4, Iss 1, Pp 21-36 (2023) |
| Druh dokumentu: |
article |
| ISSN: |
2724-5179 |
| DOI: |
10.6092/issn.2724-5179/18509 |
| Popis: |
The essay highlights how corporeality in the characters of Mandragora and Clizia is the form that Machiavellian realism takes in theatrical works. All the characters relate to a corporeal reality that determines their thoughts and actions, and that acts as a revealer of their cynicism or of their actual love. Conversely, the non-corporeality of Clizia, never present on stage, allows us to highlight her total reduction to an object disputed among four men; while for the elderly protagonist, the mockery suffered on his own body makes him aware of the absurdity of the conquest of his just post-adolescent pupil. |
| Databáze: |
Directory of Open Access Journals |
| Externí odkaz: |
|
