| Autor: |
Domenico Iovane |
| Jazyk: |
German<br />English<br />Spanish; Castilian<br />French<br />Italian |
| Rok vydání: |
2020 |
| Předmět: |
|
| Zdroj: |
Open Journal of Humanities, Vol 4, Pp 205-217 (2020) |
| Druh dokumentu: |
article |
| ISSN: |
2612-6966 |
| DOI: |
10.17605/OSF.IO/QU6GK |
| Popis: |
The spread of digital instruments turns towards an automation of the cognitive paths of the existing building. The following contribution aims to describe the change that the disciplines of relief and representation live in the contemporary era. The continuous evolution of the instruments and techniques of representation allow us to investigate the existing architecture ranging from its geometric and dimensional shapes to complex investigative investigations with the consequent determination of refined visualization methods. The description that follows investigates the church of the monumental site of the Certosa di San Martino. The complex is part of the places of the Carthusian bells, object of study, of CHROME of PRIN project financed by MIUR. From the large courtyard opens the pronaos of access to the church, comparable to a “museum” of Neapolitan painting and sculpture in the period between the seventeenth and eighteenth centuries. |
| Databáze: |
Directory of Open Access Journals |
| Externí odkaz: |
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