Exofiction and Enactivist Narratives in Contemporary French Literature
| Autor: | Larissa E. Muravieva |
|---|---|
| Jazyk: | English<br />French<br />Russian |
| Rok vydání: | 2022 |
| Předmět: | |
| Zdroj: | Studia Litterarum, Vol 7, Iss 3, Pp 30-51 (2022) |
| Druh dokumentu: | article |
| ISSN: | 2500-4247 2541-8564 |
| DOI: | 10.22455/2500-4247-2022-7-3-30-51 |
| Popis: | The proliferation of hybrid genres is a notable trend in contemporary French literature. Alongside autofiction, new hybrids are emerging in French literature, modelled on a mixture of fiction and factual genre. One of them is exofiction (“ex” + “fiction”), which implies a narrative about fictitious events from the life of a historical character or an attempt to introduce fiction into someone else’s biography. The neologism, belonging to the writer Philippe Vasset, is rapidly entering scholarly and critical discourse, but no systematic attempt to describe the phenomenon has been made. According to Vasset, exofiction can be defined as any narrative that “blends the reality with the phantasms that accompany its representations” (Ph. Vasset); in other words, exofictitious writing practices form the space of “enactivist literature” in the cognitive sense. Exofiction reveals itself in the search for a connection between inner narrator’s experience and the other subject’s experience — including traumatic — through the language. This article attempts to identify the main features of exofiction, according to the enactivist approach in cognitive science and narratology, and to propose an analysis of the genre characteristics of exofiction by the exаmple of the novels by Pascal Quignard, Jean Echenoz and David Foenkinos. |
| Databáze: | Directory of Open Access Journals |
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