Beyond the 'Fourth Wall'
| Autor: | Petro Katerynych, Alina Volyk |
|---|---|
| Jazyk: | German<br />English<br />Spanish; Castilian<br />French<br />Italian<br />Slovenian |
| Rok vydání: | 2024 |
| Předmět: | |
| Zdroj: | Ars & Humanitas, Vol 18, Iss 1 (2024) |
| Druh dokumentu: | article |
| ISSN: | 1854-9632 2350-4218 |
| DOI: | 10.4312/ars.18.1.131-146 |
| Popis: | This study provides a comprehensive overview of the evolutionary journey of interactive films and television, focusing on the dynamic relationship between technological advancements and audience engagement. By analyzing selected case studies, the research examines the historical development of interactive entertainment from the early participatory films of the 20th century to modern digital formats. Key milestones include the introduction of Kinoautomat in 1967 and the rise of second-screen technologies in the 21st century. The integration of virtual reality (VR), augmented reality (AR), and artificial intelligence (AI) has significantly transformed storytelling, enabling more personalized and immersive viewer interactions. This overview supports two hypotheses: (1) The fading “fourth wall” in interactive TV enhances audience immersion by shifting viewers from passive watching to active engagement; and (2) The rise of second-screen devices diversifies content platforms and influences content preferences, correlating with a preference for interactive formats. The findings underscore the impact of these technological innovations on viewer participation and address the challenges and opportunities in the evolving landscape of interactive media, suggesting directions for future research on the psychological and societal implications of interactive storytelling. |
| Databáze: | Directory of Open Access Journals |
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