Chingiz Aytmatov’s Fictional World
| Autor: | Andrey F. Kofman |
|---|---|
| Jazyk: | English<br />French<br />Russian |
| Rok vydání: | 2019 |
| Předmět: | |
| Zdroj: | Studia Litterarum, Vol 4, Iss 2, Pp 292-311 (2019) |
| Druh dokumentu: | article |
| ISSN: | 2500-4247 2541-8564 |
| DOI: | 10.22455/2500-4247-2019-4-2-292-311 |
| Popis: | In Aitmatov’s works, there are three dimensions of reality. The first one is that of the modern or recent history that conveys the element of transformation, changeability, and fragility. The second one relates to the characters: for all their individuality, there is a basic archetypical human principle polarized between the good and the evil, that shines through all of them. The most significant level is the third one that gives sense of inner unity to Aitmatov’s diverse works: this is something unchanging, transpersonal, combined of mythology and archetypes that are not subject to historical change — e.g. the national worldview model. Space represented as an open and positively charged space plays the major role in this model. The fictional space in Aitmatov’s works has two distinct mythological features: it is primordial and infinite. The peculiarity of this vertical (heaven/earth) spatial structure is in that the Kyrgyz writer perceives heaven and earth in terms of organic unity. His worldview is complete, there is no opposition or hierarchy within it that distinguishes it from the mythological world pattern: the latter, as a rule, was organized according to the hierarchical principle, e.g. the underworld, earth, and heaven. Aitmatov’s worldview is imbued with the spirit of animism; he widely uses mythological motifs of metempsychosis and zoomorphism in his fiction. Distant past has indispensable value for the author and his characters: it acts in a dual function, as the most important means of national self-identification and as an ethical measure. The life of Aitmatov’s positive characters falls into two dimensions of time — historical and mythological, However these two dimensions do not oppose each other, they are easily and organically combined within the artistic fabric of the text as well as in the consciousness and life of the characters themselves. |
| Databáze: | Directory of Open Access Journals |
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