| Popis: |
Colored glass in the form of stained-glass windows has been used to decorate buildings for over a thousand years. Due to various late-twentieth-century technological achievements, this material allows for a broad spectrum of design solutions. Glass can be used both in contemporary and historical buildings. This paper presents an analysis of the work of Tomasz Urbanowicz, an artist who works with glass, and its objective is to present not only the body of work of this artist but also the means of using colored glass in creating new values in architecture. The work is based on a study of the literature that covers the contemporary application of colored glass, on-site analysis of projects, and a series of interviews with the artist before, during, and after project completion, as well as the authors’ personal experience in the matter. One of the main research methods used was an analysis of the artist’s stance, as to him, the very process of pursuing creative inspiration is a fundamental procedure. Glassworks by Urbanowicz were displayed at the EXPO 2000 in Hanover (Germany), the EXPO 2005 in Aichi (Japan), and the EXPO 2008 in Saragossa (Spain). The United Earth glass sphere has been decorating the agora of the European Parliament building in Strasbourg (France) since 2004. In the paper, the artist’s projects are presented in two groups: The first includes solutions that employ monochromatic color schemes, whereas in the second, color has been used to create a strong contrast. The analysis presented includes interventions in historical buildings under heritage conservation, but also compositions from architectural glass in newly built buildings and that reference place-based history. Both the initial vision and the final effect of the glass architectural compositions are site-specific. The analysis of these differences and how the artist works allowed us to formulate a scheme of how he operates. Urbanowicz’s glass interventions affect the quality of the spaces they create and highlight their existing or expected features. The influence of the works can either play a primary and dominant role in relation with the surrounding space or be a secondary and delicate addition. Applied color may have different functions, from highlighting specific aspects of a building to introducing symbolic or direct reference. In many projects, color works as a source of a building interior’s atmosphere. The artistic interventions in historic spaces emphasize their features without disrupting pre-existing authenticity, whereas contemporary projects with no historic reference offer a wide variety of color applications that focus on the function and form of architecture, landscape, or surroundings. |
