Le maschere dell’artista. Visconti interprete della décadence
| Autor: | Arturo Mazzarella |
|---|---|
| Jazyk: | German<br />English<br />Spanish; Castilian<br />French<br />Italian |
| Rok vydání: | 2019 |
| Předmět: | |
| Zdroj: | CoSMO, Iss 15 (2019) |
| Druh dokumentu: | article |
| ISSN: | 2281-6658 |
| DOI: | 10.13135/2281-6658/4030 |
| Popis: | Visconti – always formally related to the decadent movement, whereas we suggest using the more appropriate term of décadence as it brings back within its semantic field the Nietzschean notion of artificiality – carries on a meta-linguistic experience through the aesthetic and epiphanic role of the disguise. With his last five films, Visconti hides behind his aesthetics of artifice showing his “true” deceiving self. |
| Databáze: | Directory of Open Access Journals |
| Externí odkaz: |
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