| Autor: |
Giorgio Pestelli |
| Jazyk: |
German<br />English<br />Spanish; Castilian<br />French<br />Italian |
| Rok vydání: |
2020 |
| Předmět: |
|
| Zdroj: |
Musica Docta, Vol 10, Pp 99-103 (2020) |
| Druh dokumentu: |
article |
| ISSN: |
2039-9715 |
| DOI: |
10.6092/issn.2039-9715/11945 |
| Popis: |
Faced with the impossibility of translating “music” in a broad sense into words, this contribution shifts attention to “musics”, which can be talked about by identifying relationships with codified musical forms or meanings through two main categories: music set to poetic texts, and absolute music for which a context can be outlined through recurring passages. As an example of “verbalization of a musical discourse”, the piece Chopin from Schumann’s Carnaval op. 9 is analyzed, identifying those passages that are present in both authors, and an image of Chopin condensed by Schumann as lyrical essence. |
| Databáze: |
Directory of Open Access Journals |
| Externí odkaz: |
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