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Abstract The unique characteristics of Indian trans-identity are shaped by cultural intricacies, setting it apart from its Western counterparts. Despite facing marginalisation in mainstream Indian society, the intricacies of their constructed trans-culture further complicate their experiences. According to the interactionist perspective of gender identity within sociological theory, an individual’s interactions with peers, family, and society influence the development of their gender identity. Examining this concept within the diverse Indian context reveals the significant nuances of Indian trans-identity. Two Bengali-Indian films, Kaushik Ganguly’s Nagarkirtan (2019) and Rituparno Ghosh’s Chitrangada: The Crowning Wish (2012), depict the intense and challenging journeys of individuals embracing their trans identities. This research aims to analyse the films from an interactionist perspective, exploring how the Indian cultural discourses portrayed in the films influence the formation of trans identities. The findings suggest that the development of trans identity involves complex processes influenced by social interactions, where conflicts between one’s generalised self and instinctual self arise due to sexual digression. Additionally, this study indicates that the sexual scripting of trans individuals is influenced by various factors, including class, culture, financial status, and social position, making it challenging to conform to the binary gender script of a normalised society. This qualitative research utilises the Interactionist theory of gender identity to analyse the two Bengali-Indian films. |
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