Le Carnaval de Venise en France (fin xviie – début xviiie siècle)
| Autor: | Clement Van Hamme |
|---|---|
| Jazyk: | English<br />Italian |
| Rok vydání: | 2020 |
| Předmět: | |
| Zdroj: | Lea, Vol 9, Iss 9 (2020) |
| Druh dokumentu: | article |
| ISSN: | 1824-484x 1824-484X |
| DOI: | 10.13128/lea-1824-484x-12448 |
| Popis: | Between 1680 and 1710, the motif of the Carnival of Venice flowed into a vast number of French literary and artistic works – comedies, opera-ballets, letters, treatises and travel-books – that established it as a model of its type. This sudden emergence into the cultural landscape of early modern France is a consequence of an Italianist trend that this article considers in the light of a paradigmatic shift in the understanding of the notion of Carnival. During the period spanning from the 1660s ballets to the creation of the bal de l’Opéra in 1716, in a time of change in the festive practices of high society, the Venetian Carnival spread into French literature in a way that fostered the travel imaginary that was beginning to supplant the republican myth of Venice. |
| Databáze: | Directory of Open Access Journals |
| Externí odkaz: |
|