| Popis: |
The rigid social conventions for women in rural twentieth century Ireland, specifically that of the nun and the mother, are illustrated and subsequently subverted by the figures of the scandalous woman and the witch in Edna O’Brien’s short story, “A Scandalous Woman”. Most of the scholarship on this short story and O’Brien’s work in general has been focused on the gender roles in terms of women’s rights. The purpose of this paper, however, is to explore the interrelationship between both the accepted and subversive roles of women, and at the same time demonstrate how social conventions are made subversive by the natural surroundings, outlining both the conventional and subversive nature symbolism which underpins conventional morality. Nature takes on various guises in the story: it has symbolic importance as spiritual sustenance, it has an underlying psychological component, and finally it is present in both erotic and esoteric situations. Spaces are inexorably intertwined with religion and the role of the women in the story, specifically in the context of Eily, the protagonist, and her progression from an innocent girl to a scandalous woman. These connections also serve to illustrate the main character’s progression from innocent girl to scandalous woman in terms of the interactions of gender, nature, and space. |
