| Autor: |
Enedina Alberdi, Miguel Galindo, Ángel L. León-Rodríguez |
| Jazyk: |
angličtina |
| Rok vydání: |
2021 |
| Předmět: |
|
| Zdroj: |
Applied Sciences, Vol 11, Iss 4, p 1402 (2021) |
| Druh dokumentu: |
article |
| ISSN: |
2076-3417 |
| DOI: |
10.3390/app11041402 |
| Popis: |
In the 16th century the Society of Jesus built a large number of churches following the Tridentine model of a Latin cross and a single nave. However, the shift towards this model did not entail the abandonment of the central floor plan, especially in the 17th century. The acoustics of these spaces can present phenomena linked to focalizations which increase the sound pressure level. The church of San Luis de los Franceses, built by the Jesuits for their novitiate in Seville (Spain), is an example of a Baroque church with a central floor plan. Although the church has hosted different congregations since its inauguration it is currently desacralized and used for theatres and concerts. The acoustics of this church were studied by the authors through in situ measurements and virtual models. The main objective was to analyse the evolution and perception of its sound field from the 18th to 21st centuries, considering the different audience distributions and sound sources and the modifications in furniture and coatings. Analysis of the evolution of its sound field shows that the characteristics have remained stable, with a notable influence of the dome on the results for the different configurations studied. |
| Databáze: |
Directory of Open Access Journals |
| Externí odkaz: |
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