Hiperpartitura: análise da rede de processos na criação de Khorwa-Myalwa, de Mikhail Malt
Autor: | Lucas Quinamo Furtado de Mendonça, Danilo Rossetti, Jônatas Manzolli |
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Jazyk: | English<br />Spanish; Castilian<br />Portuguese |
Rok vydání: | 2021 |
Předmět: | |
Zdroj: | Revista Vortex, Vol 9, Iss 1, Pp 1-39 (2021) |
Druh dokumentu: | article |
ISSN: | 23179937 2317-9937 |
DOI: | 10.33871/23179937.2021.9.1.9 |
Popis: | This article analyses the creative process of Khorwa-Myalwa (2016), for bass flute and electronics, by Mikhail Malt, created under the computer-aided composition (CAC) paradigm. Our vision is anchored in three aspects: a) the ideas about intellectual technologies and hypertext by philosopher Pierre Lévy (2010), b) the theories about computer creativity by Margaret Boden (2009; 2004), and c) the theoretical propositions about models by Mikhail Malt (2015) and Ronald Giere (2004). We have then developed a new approach that considers the creative process as a network interacting with the various actors of CAC. We defined the notion of hyper-score to represent this network of computational tools, programming environments, databases and representations that arise during CAC. The hyper-score is a valuable tool for the comprehension of the agencies in CAC and is useful for both the analyst and the composer interested in understanding its processes. |
Databáze: | Directory of Open Access Journals |
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