| Autor: |
Enrico Bascherini |
| Jazyk: |
English<br />Italian |
| Rok vydání: |
2018 |
| Předmět: |
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| Zdroj: |
In_Bo, Vol 8, Iss 12, Pp 165-173 (2018) |
| Druh dokumentu: |
article |
| ISSN: |
2036-1602 |
| DOI: |
10.6092/issn.2036-1602/7856 |
| Popis: |
It was 1968 when Carlo Scarpa was commissioned for the basement project at the monument to the “Partigiana Veneta” by the artist Augusto Murer (Falcade 1922 - Padova 1985). Situated on the shore of the gardens of Venice, the work represents a surpassing of the concept of monument as a memory. Scarpa’s work can be described as “experimenting” on the next masterpiece of the Brion tomb where the concept of conjugal love and memory carries unstoppable spatiality. The work is a ritual that is renewed several times a day and in its renewal and showing in an ever-changing way creates an ever-new. |
| Databáze: |
Directory of Open Access Journals |
| Externí odkaz: |
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